I’ve always felt that language and dialect go hand in hand, which is why I’m combining them in the same post.
L is for Language and Dialect
To flavour a novel and provide authenticity, authors often use dialect in their written dialogue. However, if dialect is used incorrectly it can ruin your story. Here are a few tips when using dialects:
Try not to stereotype. Not everyone from the South uses “Y’all”, not every Canadian says “eh?”, and not every teenager uses slang.
Make sure when you use regional speech patterns and accents that you’re accurate and consistent. Don’t have your cowboy suddenly sound like he’s from England.
If possible, try to listen to people with the accents and speech patterns you wish to use so you can learn what sounds authentic and what doesn’t. It would be even better if you can actually have a conversation with them.
Try to make sure you’re using the right terminology for the dialect you’re using. There are many regions and subcultures, all with their own slang. To Americans, chips are a snack food that comes in bags and a boot is something to wear on your foot. But in England, chips are julienned, deep fried potatoes and a boot is the part of the car to put your luggage in.
Dialects for historical and foreign characters can be even trickier. A few writers will use a complete sentence in a foreign language followed by a translation, but that can seem a little unwieldy. Smaller words or phrases, such as “Ach!” “Mon ami,” “Cara mia,” etc. can be just as effective when scattered through the dialogue and don’t need translating.
If you’re writing fantasy or science fiction, or even paranormal or urban fantasy, it might be more appealing to invent your own language.
An invented language can be a tool for exposing the traits of a culture. Different languages not only sound different, but they feel different. They shape ideas differently. They are also shaped by their environments. The way a language works can help illustrate the thought processes of the people who speak it.
Keep a list of invented words. It’s all too easy to forget how you spelled something you made up. If you keep this list in alphabetical order, you can use it as a glossary later. When you add a word to your list, don’t forget to add it to your word-processing program’s dictionary. This will ensure your spell check keeps you on track.
When using an invented language, a word or two here and there is far more effective than whole paragraphs. An entire sentence will need translating; a word or two can be put in context so that the reader can quickly figure out the meaning.
If you’d rather create an entire language, I highly recommend The Language Construction Kit
Showing posts with label day 12. Show all posts
Showing posts with label day 12. Show all posts
2011-04-14
2010-08-31
30 Days of Writing Questions – Day 12
12. In what story did you feel you did the best job of worldbuilding? Any side-notes on it you’d like to share?
I can’t really call my Myste setting the best job of world building. First of all, it’s not really a world, it’s more the space between worlds, and second, it keeps changing. I did a decent job world building in my trunked fantasy novel, but I’m saving it for my answer for day 14. ;-)
Even though a lot of my stories are set in space, they don’t just revolve around a single world, there’s always a bunch of worlds involved. The trick is to treat each world like a character – they can have similarities, but they also have to be individual enough to stand on their own.
So in answer to the question, I didn’t just build a world, I built a whole universe. Right now I have two novels set in this universe, one is last year’s Nano novel, and the other is my on-line serial. They are two entirely separate stories, but indirectly they’re fighting for the same cause, and you never know, there’s always the possibility that the characters could meet up . . . some day.
Even though my romances have a science fiction setting, there’s just enough fantasy thrown in to keep it from dipping into hard science. I do not have a scientific background, not in any way, shape, or form. Sometimes it can be a challenge to get your point across without becoming too technical, but I think, for the most part, I succeed. Guess all those years of watching Star Trek reruns has paid off. :-)
If you'd like to take part, or just see the whole list of questions, go HERE

Even though a lot of my stories are set in space, they don’t just revolve around a single world, there’s always a bunch of worlds involved. The trick is to treat each world like a character – they can have similarities, but they also have to be individual enough to stand on their own.
So in answer to the question, I didn’t just build a world, I built a whole universe. Right now I have two novels set in this universe, one is last year’s Nano novel, and the other is my on-line serial. They are two entirely separate stories, but indirectly they’re fighting for the same cause, and you never know, there’s always the possibility that the characters could meet up . . . some day.
Even though my romances have a science fiction setting, there’s just enough fantasy thrown in to keep it from dipping into hard science. I do not have a scientific background, not in any way, shape, or form. Sometimes it can be a challenge to get your point across without becoming too technical, but I think, for the most part, I succeed. Guess all those years of watching Star Trek reruns has paid off. :-)
If you'd like to take part, or just see the whole list of questions, go HERE
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